http://www.noortjedekeijzer.nl/work/my-knitted-boyfriend-2/
Monday 27 January 2014
Sunday 19 January 2014
knitted house
The artwork collaborated by the knit artist "mafuyu" and yoshikazu yamagata.
It was shown at "Arnehem Mode Biennale 2007" in Arnehem, Holland on 1 - 30 June 2007.
Friday 17 January 2014
Siren Elise Wilhelmsen
designed a clock that literally knits time.
Every passing of a half hour is marked by the knitting of a mesh, a full day is registered as one round around the clock and a year results in a 2-m-long [6' 5"] scarf. After one year they yarn has to be replaced with a new one and a new year can be knitted.
Every passing of a half hour is marked by the knitting of a mesh, a full day is registered as one round around the clock and a year results in a 2-m-long [6' 5"] scarf. After one year they yarn has to be replaced with a new one and a new year can be knitted.
HOTTEA
Minneapolis street art duo HOTTEA, who decided to explore alternate avenues of guerilla art after being arrested for spray-paint graffiti.
“The HOTTEA project embodies the similarities and differences in all of us. I wanted to base the project off an idea that had room for growth. We are always growing as people and the dynamic between people gives endless possibilities.”
“The HOTTEA project embodies the similarities and differences in all of us. I wanted to base the project off an idea that had room for growth. We are always growing as people and the dynamic between people gives endless possibilities.”
Scott Weaver
http://www.thisiscolossal.com/2011/04/one-man-100000-toothpicks-and-35-years-scott-weavers-rolling-through-the-bay/
toothpick replica of san francisco
toothpick replica of san francisco
Severija Inčirauskaitė-Kriaunevičienė
Lithuatian artist Severija Inčirauskaitė-Kriaunevičienė applies standard floral and decorative patterns found in embroidery magazines to metallic objects like plates, spoons, lamps and even car doors.
Employing irony, Severija conceptually neutralizes the harmfulness of kitsch’s sweetness and sentimentality.
http://www.thisiscolossal.com/2014/01/ornate-embroidery-patterns-stitched-into-metallic-objects/
Between City and Country, 2009. Metal bucket, watering can, milk can. Cross-stitch, drilling. Photo courtesy Modestas Ežerskis.
After Party, 2013. Tin can, cotton. Cross-stitch, drilling. Photo courtesy Modestas Ežerskis.
Every Stick Has Two Ends, 2012. Shovel parts, wood, cotton. Cross-stitch, drilling. Photo courtesy Modestas Ežerskis.
Greed, 2012. Metal spoon, cotton, Cross stitch, drilling. Photo courtesy Modestas Ežerskis.
Employing irony, Severija conceptually neutralizes the harmfulness of kitsch’s sweetness and sentimentality.
http://www.thisiscolossal.com/2014/01/ornate-embroidery-patterns-stitched-into-metallic-objects/
Between City and Country, 2009. Metal bucket, watering can, milk can. Cross-stitch, drilling. Photo courtesy Modestas Ežerskis.
After Party, 2013. Tin can, cotton. Cross-stitch, drilling. Photo courtesy Modestas Ežerskis.
Every Stick Has Two Ends, 2012. Shovel parts, wood, cotton. Cross-stitch, drilling. Photo courtesy Modestas Ežerskis.
Greed, 2012. Metal spoon, cotton, Cross stitch, drilling. Photo courtesy Modestas Ežerskis.
Beili Liu
The installation consists of hundreds of Chinese scissors suspended from the ceiling, pointing downwards. The hovering, massive cloud of scissors alludes to distant fear, looming violence and worrisome uncertainty. The performer sits beneath the countless sharp blades of the scissors, and performs an on-going simple task of mending. [...] As each visitor enters the space, one is asked to cut off a piece of the white cloth hung near the entrance, and offer the cut section to the performer. She then continuously sews the cut pieces onto the previous ones. The mended fabric grows in size throughout the duration of the performance, and takes over the vast area of the floor beneath the scissors.
http://www.thisiscolossal.com/2012/08/artist-beili-liu-embroiders-underneath-hundreds-of-suspended-scissors/
Installations I Miasma, Wool, thread, acrylic medium, dimensions variable, (each column 4'-9' tall)
-wool and thread
-mystery
-acrylic medium pulls and stretches the wool
Installations I Lure/惑 Series (2008-2012), Site-Responsive IInstallations, Thread, sewing needle, dimensions variable, (each coil 2-5" in diameter)
The ancient Chinese legend of the red thread tells that when children are born, invisible red threads connect them to the ones whom they are fated to be with. Over the years of their lives they come closer and eventually find each other, overcoming the distance between, and cultural and social divides. The installations make use of thousands of hand spiraled coils of red thread suspended from the ceiling. A disk may be connected to another, as a pair, and a pair of disks is made from a single thread. Every coil is pierced in the center by a sewing needle, which then threaded and enables the suspension of the disks. Subtle air currents set the red disks swaying and turning slowly as the loose strands of thread on the floor drift and become entangled. |
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